Location: Grounds of North Andover Public Schools, 670 Main Street
Coordinates: 42°41’29.6″N 71°07’05.6″W
Date dedicated: June 14, 1913
Architect/contractor/sculptor: Theo Alice Ruggles Kitson, sculptor
Number of names: None
North Andover’s monument is a variation (and a singular one) of Kitson’s popular sculpture known as “The Volunteer.” She sculpted the first version of “The Volunteer” in 1902 for Newburyport’s Civil War memorial. It was reproduced for the Massachusetts Civil War monument at the Vicksburg National Military Park and later for several Massachusetts towns including North Attleborough, Ashburnham, Sharon and Townsend. North Andover’s version depicts the same individual but stepping forward in a completely different pose, making this statue unique. Whereas other towns could utilize the existing mold, North Andover’s required a new sculpture by Kitson and an original casting.
It is the same youthful “Volunteer” in light marching order, coat unbuttoned, trousers bloused into his woolen socks, blanket roll across his chest, depicting the soldier as he truly appeared in the field rather than the parade-ground formality of most Civil War monuments. However, in this version, rather than holding his musket thrown over his shoulder in a loose version of right-shoulder-shift, as if on the march, here he advances with the musket at port-arms, as if on skirmish duty and ready to engage.
Kitson, whose name unfortunately is not widely known today, was the most prolific American female sculptor of the early 20th century. Her sculptures are featured in almost every state in the country. A more thorough biographical sketch can be found on our Newburyport page. Put more briefly, Theo Alice Ruggles, a native of Brookline, showed great skill in sculpting from a young age. She encountered numerous barriers or prejudice being a young woman but found that doors opened when she applied to art schools and sought commissions under the name “Theo” rather than Theodora.[1] She married an up-and-coming young sculptor named Henry Hudson Kitson and trained in Paris where she earned an honorable mention at the Salon in 1890 (the first woman to do so). She and her husband returned to Massachusetts in 1893 and set up a studio in Boston. She was the first woman admitted to the National Sculpture Society in 1895.[2]
[1] Ethel Mickey, “Memorial artist honored nearly a century later,” Salem News, July 27, 2010.
[2] Jules Heller and Nancy G. Heller eds., North American Women Artists of the Twentieth Century: A Biographical Dictionary, (Routledge Press, 2013), 305.
[3] “Veterans Exhibit,” North Andover Historical Society,